Early listen Cockateal

One take.
Any voice.

Three recordings from Remy rendered through Cockateal voices, up into Florence and Haru, down into Anosteus, masc to masc at the same pitch, and a voice message from Anosteus rendered as Remy, first from two minutes of Remy's voice, then from twelve hours. Switch voices while it plays. The position carries over, so you hear exactly what changed.

Headliner · singing

Hospital Beds

Recorded by Remy. Rendered as Florence with pitch lock, one octave up.

Playing Florence0:00 / 0:54
Listen on SoundCloud: Florence render Remy, original
Masc to masc · speech

Assigned at Birth Voice

Remy's own low register, unshifted, rendered as Anosteus. Same pitch range in and out; only the voice changes.

Playing Anosteus0:00 / 0:15
The other way round · speech

Spontaneous Sinus

A voice message from Anosteus, rendered as Remy twice. Once from a two-minute enrollment clip, pitched up six semitones to land near Remy. Once from twelve hours of Remy's voice memos, with no pitch shift at all. Someone else's delivery, your voice.

Playing Remy, 12 h of data0:00 / 0:18

Every direction

Up, down, sideways, and back. Song Birdie goes to 255 Hz as Florence and Haru and to 100 Hz as Anosteus. The third clip stays near 100 Hz and only the voice changes. The last one brings a different speaker into Remy.

Timing is untouched

The render follows the original take. Phrasing, breaths and pauses are the performer's.

Pitch lock for singing

The melody is held while the voice changes. The octave shift on Hospital Beds is a setting, not a side effect.

Low data, comprehensive data

Spontaneous Sinus is rendered as Remy twice: from a two-minute enrollment clip, and from twelve hours of voice memos spanning 2010 to 2026. Same source, same pipeline. Only the amount of Remy changed.